Archive for June, 2010

Tony Breakdown: Musicals & Wrap-Up

Best Musical

This is certainly not an exciting year for new musicals.  The line-up of nominees is downright anemic compared to recent years, and it’s easy to imagine any of last years also-rans winning the race outright next to this bunch.  However, there is a bright spot, and that is Fela! This exciting and electric new work from Bill T. Jones is a natural successor to insurgent musicals like Passing Strange and the original Hair, which push the natural limits of musical theatre storytelling to present something dynamic and thrilling that relates to its audience on terms not necessarily comfortable for the traditional Broadway audience.  Part concert, part dance piece, part performance art, and part book musical–Fela! is a bright spot on a rather dim season.  The Musical race also includes the earnest American Idiot, which tries too hard to say too much in its pulsing 90 minutes, but features more bright spots than dull ones.  Memphis, the only original book musical of the bunch, feels wholly unoriginal.  It is a musical about black music in the South written by white people from New Jersey, whose ideas of southern culture of the ’60s seems to be drawn only from bad movies.  However, it does have bright moments, and despite all that’s wrong with it, I did enjoy myself.  Lastly is the rock musical with absolutely no edge, Million Dollar Quartet, which presents a fated night at Sun Records with Elvis, Johnny Cash, Jerry Lee Lewis and Carl Perkins as an ineffectual tribute concert with a failed attempt at plot and conflict.  The music is great, but it is generally performed without spirit or connection, and I would much rather watch a videotaped concert than this show.  The saving force of the show is Levi Kreis as Jerry Lee Lewis, who transcends the bad material and stunted performers around him, and for that he should be rewarded as a Featured Actor.

What Should Win Rankings:

1) Fela!

2) American Idiot

3) Memphis

4) Million Dollar Quartet

What Will Win: Memphis

Who Should Have Been Nominated: Everyday Rapture

Best Revival of a Musical

I adored the charming revival of Finian’s, was thoroughly impressed (though not entirely in love) with Ragtime, enjoyed A Little Night Music but found the production itself to be lacking, and loathed the La Cage revival that didn’t quite know what it wanted to be.  Guess which one is going to win…but I’ve hated Tony winners in the past, and will hate them in the future.  I am excited that they picked the most enjoyable number, The Best of Times, for their Tony performance.  I am also saddened by the Promises, Promises snub, which many others hated but I found absolutely delightful.

What Should Win Rankings:

1) Finian’s Rainbow

2) Ragtime

3) A Little Night Music

4) La Cage aux Folles

What Will Win: La Cage aux Folles

What Should Have Been Nominated: Promises, Promises

The Other Categories

Best Play/Revival of a Play

Best Actor/Actress in a Musical

Best Actor/Actress in a Play

Best Featured Performances

Best Costume/Scenic Design

All Other Categories

Nomination/Win Breakdowns

Fela!
11 nominations, 6 Should Wins, 3 Will Wins

La Cage aux Folles
11 nominations, 0 Should Wins, 4 Will Wins

Fences
10 nominations, 0 Should Wins, 3 Will Wins

Memphis
8 nominations, 1 Should Win, 5 Will Wins

Ragtime
7 nominations, 0 Should Wins, 0 Will Wins

Red
7 nominations, 1 Should Win, 5 Will Wins

A View From The Bridge
6 nominations, 4 Should Wins, 0 Will Wins

The Royal Family
5 nominations, 2 Should Wins, 0 Will Wins

Enron
4 nominations, 1 Should Win, 0 Will Wins

A Little Night Music
4 nominations, 1 Should Win, 0 Will Wins

Promises, Promises
4 nominations, 0 Should Wins, 1 Will Win

Everyday Rapture
2 nominations, 2 Should Wins, 0 Will Wins

Tony Breakdown: Misc.

Best Original Score

Who Should Win Rankings:

1) Memphis (Music by David Bryan, Lyrics by Joe DiPietro and David Bryan)

2) Enron (Music by Adam Cork, Lyrics by Lucy Prebble)
[I couldn't find a clip of just the music, but there are a few clips of it in this PBS story, which is actually a pretty good recap of what I thought was the best show of the year, and also it's second biggest flop]

3) Fences (Music by Branford Marsalis)

4) The Addams Family (Music and Lyrics by Andrew Lippa)

Who Will Win: Fences (Music by David Bryan, Lyrics by David Bryan & Joe DiPietro)

Best Book of a Musical

Who Should Win Rankings:

1) Everyday Rapture, by Sherie Rene Scott and Dick Scanlan

Sherie Rene Scott: Topeka: the Kickapoo word for a good place to dig for potatoes.  Topeka town motto; Latin, not Kickapoo: reductio ad absurdium, which I think means really, really absurd.  Population: 117,893…churches.  And our family worshipped at all but one or two, after we ditched the Mennonites.  We got tired of the whole “good works” thing.  ”Raise your own fucking barn!” my dad used to say.  We’d laugh.

2) Fela! by Jim Lewis & Bill T. Jones

3) Memphis by Joe DiPietro

4) Million Dollar Quartet by Colin Escott and Floyd Mutrux

Who Will Win: Memphis by Joe DiPietro

Should Have Been Nominated: American Idiot by Michael Mayer and Billie Joe Armstrong

Best Direction of a Play

Who Should Win Rankings:

1) Gregory Mosher, A View From The Bridge

2) Michael Grandage, Red

3) Kenny Leon, Fences

4) Sheryl Kaller, Next Fall

Who Will Win: Michael Grandage, Red

Who Should Have Been Nominated: Rupert Goold, Enron

Best Direction of a Musical

Who Should Win Rankings:

1) Bill T. Jones, Fela!

2) Marcia Milgrom Dodge, Ragtime

3) Christopher Ashley, Memphis

4) Terry Johnson, La Cage aux Folles

Who Will Win: Terry Johnson, La Cage aux Folles

Who Should Have Been Nominated: Michael Mayer, Everyday Rapture

Best Choreography

Who Should Win Rankings:

1) Bill T. Jones, Fela!

2) Rob Ashford, Promises Promises

3) Lynne Page, La Cage aux Folles

-Twyla Tharp, Come Fly Away

Who Will Win: Bill T. Jones, Fela!

Who Should Have Been Nominated: Sergio Trujillo, Memphis

Best Orchestrations

1) Aaron Johnson, Fela!

2) Daryl Waters & David Bryan, Memphis

3) Jonathon Tunick, Promises Promises

4) Jason Carr, La Cage aux Folles

Who Will Win: Daryl Waters & David Bryan, Memphis

Should Have Been Nominated: Tom Kitt, Everyday Rapture

Best Lighting Design of a Play

Who Should Win Rankings:

1) Mark Henderson, Enron

2) Neil Austin, Red

3) Brian MacDevitt, Fences

4) Neil Austin, Hamlet

Who Will Win: Neil Austin, Red

Who Should Have Been Nominated: Russel H. Champa, In The Next Room

Best Lighting Design of a Musical

Who Should Win Rankings:

1) Robert Wierzel, Fela!

2) Donald Holder, Ragtime

3) Nick Richings, La Cage aux Folles

4) Kevin Adams, American Idiot

Who Will Win: Kevin Adams, American Idiot

Who Should Have Been Nominated: Howell Binkley, Memphis

Best Sound Design of a Play

Who Should Win Rankings:

1) Adam Cork, Red

2) Adam Cork, Enron

3) Acme Sound Partners, Fences

4) Scott Lehrer, A View From The Bridge

Who Will Win:  Adam Cork, Red

Listen to the sound design nominees

Best Sound Design of a Musical

Who Should Win Rankings:

1) Dan Moses Schreier, Sondheim on Sondheim

2) Robert Kaplowitz, Fela!

3) Dan Moses Schreier and Gareth Owen, A Little Night Music

4) Jonathon Deans, La Cage aux Folles

Who Will Win: Robert Kaplowitz, Fela!

Who Should Have Been Nominated: Brian Ronan, American Idiot

Tony Breakdown: Featured Performances

Best Featured Actor in a Musical

A very weak category leaves me no one that I’m incredibly enthusiastic for, just largely a group of talented actors in small or poorly written parts.  However, Levi Kreis is the sole lifeblood in the clumsy jukebox revue Million Dollar Quartet, and deserves the award for that impossible job.  Fitzgerald was magically charming in Finian’s, and Bobby Steggert was the shining standout of the Ragtime ensemble with a bright future.  Personally, I would have chosen American Idiot‘s Stark Sands over all of them.

Who Should Win Breakdown:

1) Levi Kreis as Jerry Lee Lewis in Million Dollar Quartet

2) Christopher Fitzgerald as Og in Finian’s Rainbow

3) Bobby Steggert as Mother’s Younger Brother in Ragtime

4) Kevin Chamberlin as Uncle Fester in The Addams Family

5) Robin de Jesus as Jacob in La Cage aux Folles

Who Will Win: Levi Kreis as Jerry Lee Lewis in Million Dollar Quartet

Should Have Been Nominated: Stark Sands as Tunny in American Idiot

Best Featured Actress in a Musical

This Tony should be Lansbury’s sixth–she takes a supporting role and owns the Walter Kerr Theatre with it as the commanding master of ceremonies over the Sondheim revival A Little Night Music.  Everyone seems to have Finneran fever, which I don’t understand in the least.  The role is very funny, due to Neil Simon and Hal David’s writing; however, Finneran does very little as the part would have to be cast with someone with no comic timing at all to mess it up, but I couldn’t help but leave thinking of handfuls of musical commedienes who could have really pulled out all the stops for Marge.  Finneran is largely mediocre, and will get a Tony for it.  Oh well.

Who Should Win Rankings:

1) Angela Lansbury as Madame Armfeldt in A Little Night Music

2) Lillias White as Funimilayo in Fela!

3) Barbara Cook as Herself in Sondheim on Sondheim

4) Katie Finneran as Marge MacDougall in Promises Promises

-Karine Plantadit as Kate in Come Fly Away

Who Will Win: Katie Finneran as Marge MacDougall in Promises Promises

Should Have Been Nominated: Terri White as Dottie in Finian’s Rainbow

Best Featured Actor in a Play

The five nominees give strong performances.  Redmayne has the edge of having a leading role in a supporting category, and it’s a shame that it will probably prevent great work like that of Jon Michael Hill, Stephen McKinley Henderson, and Stephen Kunken from getting recognized.

What Should Win Rankings:

1) Jon Michael Hill as Franco Wicks in Superior Donuts

2) Eddie Redmayne as Ken in Red

3) Stephen McKinley Henderson as Bono in Fences

4) Stephen Kunken as Andy Fastow in Enron

5) David Alan Grier as Henry Brown in Race

Who Will Win: Eddie Redmayne as Ken in Red

Who Should Have Been Nominated: Brian D’Arcy James as James Dodd in Time Stands Still

Featured Actress in a Play

Another strong group, with the dramatic turns of A View From The Bridges‘ Scar-Jo and Jess-Hec, the comedic tour de force of Jan-Max, and the matronly charm of Ro-Hare.  I would be happy with any of these four winning, with a personal preference towards Hecht.  Maria Dizzia, while often good, gave too clunky of a performance for Tony gold, and I would have traded her slot for Enron‘s Marin Mazzie.

Who Should Win Rankings:

1) Jessica Hecht as Bea in A View From the Bridge

2) Scarlett Johannson as Catherine A View From The Bridge

3) Jan Maxwell as Maria in Lend Me A Tenor

4) Rosemary Harris as Fanny Cavendish in The Royal Family

5) Maria Dizzia as Mrs. Daldry in In The Next Room (or the vibrator play)

Who Will Win: Jan Maxwell as Maria in Lend Me A Tenor

Should Have Been Nominated: Marin Mazzie as Claudia Roe in Enron

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